Maus, by Art Spiegelman, is a personal narrative about his
father’s trials as a Jew in Poland during the Second World War.
My father, a writer, has a room that is wall to ceiling
books in his house. I have fond memories of spending my Saturdays in his
library, reading whatever my stubby little hands could pull off the first
shelf. He didn’t own any graphic novels, except for both volumes of Maus.
You see, my father’s father, my grandfather, was the only
surviving member of his family to escape.
I think my dad felt a little like Spiegelman in this sense. That was the
last time I had read Maus and I haven’t picked it up since, so it was pretty
intense to read it some years later and have a better understanding of what
happened.
Art does a visceral job at recounting his Father’s time in
Poland. As someone who grew up hearing a lot of first, and second hand survivor
stories, what’s in his graphic novel is pretty accurate to how they are told. I
couldn’t help but notice some parallels between Vladek’s stories and my
grandfather’s story. My great grandfather was the owner of a metal working
factory in Poland, he bribed and persuaded Nazis to let my grandfather and his
brothers go.
Neither of his brothers survived the war. My grandfather’s
older brother, a violinist who would be on Polish radio stations before the
war, had his hands broken and his violin shattered.
They ended up only having enough money to smuggle one to
Britain. My grandfather found out later his brothers died in a death camp.
There’s a lot more to the story, but the point of this blog post is to talk
about how good a job Art did at reciting his father’s story through a graphic
novel.
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